Reviews

Verbatim theatre, by definition, is confronting and challenging for the audience, for the theatre maker … but especially for those who are prepared to share their personal stories and experiences. When those stories are told by the very many, varied – and mostly unsung – carers in our community, the challenges become greater. Why? Because often the experiences they share are tinged, unnecessarily, with guilt, self-reproach and regret, and therefore expose raw edges and fraying self esteem.

It is not very often we see someone’s love affair with coffee interpreted in such an imaginative way. Coffee has become the 21st century’s drug of choice with no defining demographic. Missy brings her diverse skills to the stage in her first solo show. Her ambition to perform by herself at the Adelaide Fringe is one she claims she can now cross off her bucket list.

For this year’s Adelaide Fringe Festival, Davine Interventionz Productions present a classy, yet accessible South Australian premiere of The Light In The Piazza – a musical that tells a disarmingly simple, intimate love story through a series of deeply layered, sometimes dazzlingly complex songs.

David Zelznick (Tim Constantine) is the hyperactive visionary who created what is often considered the greatest film produced in Hollywood. Zelznick convinces scriptdoctor Ben Hecht (James Antonas) and director Victor Fleming (Jeremy Just) to work on a rewrite of the screenplay for five days, while cooped up in his office. They live off peanuts and bananas provided by the faithful assistant Miss Poppenghul (Pauline Constantine).