By Jonathan Biggins, Drew Forsythe and Phil Scott. Sydney Theatre Company. Riverside Theatre Parramatta. September 18 – 21, 2019 and touring.
2019 has given the Wharf Revue creators – Jonathan Biggins, Drew Forsythe and Phil Scott – a wealth of material with which to work. Their sharp eyes and mischievous minds have crafted a revue that maintains the trademark of their brand: cutting satire interspersed with a few serious moments. Politics and parity loom large this year – and nothing is redacted!
Created and performed by Melissa McGlensey. Directed by Adam Hembree. Melbourne Fringe. Universal Restaurant, 141 Lygon St, Carlton. 19-24 September, 2019.
This performance highlights the strange and troubled times that we face in the current global political landscape. The show imagines the former White House Press Secretary, Sarah Huckabee Sanders, on tour in Australia and wreaking havoc. McGlensey cleverly structures the comedy routine as a press briefing where the audience stands in as the members of the press.
A circus variety showcase from NICA’s 2019 graduating class. Presented by NICA National Circus Centre, 39-59 Green St, Prahran. 18 - 21 September, 2019.
Hard Sell is contextualised as form of auctioning of circus talent, where the performers are determined to outshine their competitors in the hope of being selected by talent scouts. The idea of creating a showcase which focuses on the pressure and importance of the graduating class performances is ingenious. This provides a great structure for the individual artists to own the stage and test their talents to the fullest.
Sydney Opera House presents a Branch Nebula production. Studio Theatre, Sydney Opera House. 17 – 22 September 2019
Be prepared: there are no numbered seats, so when the audience is allowed into the Studio Theatre (after queuing for 15 minutes past the advertised start time) there’s a scramble for seating. There’s also no program, so I have only the Opera House’s What's On Guide to tell me that it’s Lee Wilson who is flat on his back blowing up a big balloon.
By Tony Reck. Directed by Richard Murphet. La Mama Courthouse, Carlton. 12 -22 September 2019
It begins in traditional style: in the dead of night, two men – brothers - carry an eviscerated corpse wrapped in black plastic. Their mother has ordered them to dump it in a mine shaft. They don’t; they bury it in a shallow hole at Broken River. We know the body will be found and somebody, besides this pair, will be in big trouble…
By Vincenzo Bellini. Melbourne Opera. Directed by Suzanne Chaundy. The Athenaeum Theatre, Melbourne. September 17 – 24, 2019.
In customarily self-assured style, Melbourne Opera opened Norma to cheering applause last Tuesday. The tale of a love triangle about to go murderously wrong, Norma is the pinnacle of the bel canto repertoire from arguably its greatest exponent – Vincenzo Bellini. In the legendarily difficult title role, Helena Dix sweeps all before her with a voice not unlike raw honey.
By Amrita Dhaliwal & Gemma Soldati. Dhali Dati. Melbourne Fringe Festival at The Butterfly Club. September 16 – 22, 2019
Death is an inevitable part of life, and so why not create a hilarious funny hour around this morbid subject. Direct from Los Angeles Fringe festival, Amnita Dhaliwal and Gemma Soldati are here to perform The Living Room- A Comedy of Grief. The show is set around a bunch rules that remind us that we can laugh at our own mortality and mourn the passing of others.
By Alexa Taylor, with Jess Nyanda Moyle and Zoe Street. Directed by Alexa Taylor. The Blue Room Studio, James St, Northbridge. Sep 10 - 28, 2019
A canary in a coal mine is an advanced warning of some danger. Two Canaries, currently playing at the Blue Room, is a gentle but passionate call to action about climate change, as we are reminded about the real and imminent danger faced by the world.
By Grace De Morgan. Key Conspirators & North of Eight. Melbourne Fringe Festival. New Council Chambers, Trades Hall. 13 - 22 September 2019
It’s unusual to find a Fringe show that is a full-length (well, 90 minutes) and well-made play with an appealing and talented cast of five and directed by a fully professional and accomplished director. From the title, you’d guess this was something else. I did. What a pleasant surprise. The spirit of Alan Ayckbourn hovers over Quite Drunk, Very Jesus-y – and that is no bad thing. An ensemble of ‘ordinary’ people who are or were practicing Christians and who think they know each other turn out not to.
Melbourne Writers’ Theatre. Gasworks Arts Park. 12 to 21, September 2019.
Directed by Elizabeth Walley with great precision and attention to detail, and as usual ending on a high, Daring Dog Monologues is comprised of six adeptly rendered monologues and is an excellent night of theatre of the intimate variety.
