Reviews

The Naked Truth

By Dave Simpson. Tugun Theatre Co. Gold Coast. Director: Nathan Schulz. November 9th to 25th, 2017

Tugun Theatre Company is a small but adventurous group on the southern end of the Gold Coast and their latest offering is something quite confronting.

The Naked Truth explores the trials and tribulations in the lives of five prospective pole dancers. The girls: Rebecca Kenny-Sumiga, Samantha McClurg, Rianna Hartley-Smith, Cecile Campbell and Kate Armon are very raw recruits but under the tutelage of Peta Simeon they blossom into quite an entertaining ensemble.

Along the way we are privy to the pressures of their lives away from the poles.

The Father

By Florian Zeller, translated by Christopher Hampton. Melbourne Theatre Company (co-production with STC). Arts Centre Melbourne, Fairfax Studio. Nov 2 – Dec 16, 2017

The great risk French playwright Florian Zeller takes with The Father is to tell its story from inside the mind of an elderly man who is losing his mind.  ‘Dementia’ or ‘Alzheimer’s’ are not mentioned, but we nowadays, we know all too well.

In-Laws, Outlaws & Other People (That Should Be Shot).

Written by Steve Franco. Directed by Erik Strauts. Blackwood Players Inc. Blackwood Memorial Hall. 3-18 November, 2017.

When the pair of performers to open a show (the consistently excellent Jarrod Chave and Annie Gladdis) have timing, energy, chemistry – plus impressive enunciation – it’s a good sign you’re in for a winner. As more and more of this large cast file in and fill the stage, the fun increases, and the experience evolves into a warm, gentle, amusing look at the way that families – American or otherwise - often behave at Christmas time.

The Yellow Wallpaper

Text by Charlotte Gilman Perkins. Adapted & devised by Laurence Strangio with Annie Thorold. Directed by Laurence Strangio. La Mama Explorations. La Mama Courthouse, Carlton VIC. 6-8 November 2017

A married woman, post partum, is confined to an upstairs room with yellow wallpaper.  Oh, she’s permitted to take brief strolls for some fresh air; it is her psychic being, her thoughts and feelings that are locked in.  She is ‘depressed’ (today we might call her condition ‘post-natal depression’), but her emotions are belittled, condescended to, and presented back to her transformed into ‘comforting’ and benign clichés.  She is delicate, she must take care, she must refrain from too much thinking, she must be separate

Aladdin: A Pantomime

Written by Ben Crocker. Directed by Sue Cherry. Noarlunga Theatre Company Inc. The Arts Centre, Port Noarlunga. 3-11 November, 2017.

If it’s good-hearted, high-spirited fun that you seek, the team at Noarlunga have got you covered with a charming panto that may be short on polish but is long on likeability. With a colourful range of characters out to either help or hinder the young hero Aladdin in his adventures, and a number of low-key-but-mostly-charming songs-and-dances along the way, there should be something to please all ages here.

Time Stands Still

By Donald Margulies. ECLIPSE Productions. TAP Gallery, Surry Hills. November 1 – 25.

Donald Margulies writes for “moral-thinking people”. When asked about Time Stands Still, he said it was “a way to write about what is going on in the world … what people are talking about.” He does so, according to director Claudia Barrie without offering any real answers to the questions he raises. Rather, “the bigger morality issues are left hanging in the air for us to … discuss long after the performance.”

Birdcage Thursdays

By Sandra Fiona Long. Directed by Caitlin Dullard, fortyfivedownstairs, 45 Flinders Lane, Melbourne. 2 – 12 November 2017.

This play attempts to address a confronting social issue with freshness and humour. The concept is endearing with a very noble agenda. Helene (Genevieve Picot) is an elderly woman whose tendency for hoarding is placing her independent living at risk. Sophia Constantine plays both her pet cockatoo and her frustrated daughter, who is struggling to convince her mother that her hoarding is becoming unstainable. The author, Sandra Fiona Long, also acts as a playful narrator who highlights the often bizarre nature of the scenarios that are depicted.

There Goes the Bride

Play by Ray Cooney & John Chapman. Centenary Theatre. Director: Janine Francis. Chelmer Community Centre, Brisbane. November 4-25, 2017.

The premise of Ray Cooney and John Chapman’s farce There Goes the Bride is a switch on the time-travel aspect of Mark Twain’s A Connecticut Yankee in King Arthur’s Court coupled with Mary Chase’s hallucinatory Harvey, whereby an ad-executive gets a bonk on the head and wakes up with a 1920’s flapper by his side which only he can see.

The Conspirators

By Vaclav Hável. South Australian Premiere. Red Phoenix Theatre. Holden Street Theatres. 2-11 November, 2017.

Synonyms for conspirators include plotters, connivers, collaborators and accomplices, and all of these are true descriptions for the group who form the centre of The Conspirators, Red Phoenix Theatre’s current production.

Cinderella

Music: Richard Rodgers. Book & Lyrics: Oscar Hammerstein II. Queensland Musical Theatre. Director: Deian Ping. Musical Director: Gerry Crooks. Choreography: Julianne Burke. Schonell Theatre, St Lucia 1-5 Nov 2017

Whoever plays Cinderella needs to look and act like a princess and fortunately Queensland Musical Theatre have found the perfect girl for the role. Sarah Copley is princess material personified; singing in a mature soprano, looking magical in a white ball-gown, and tripping daintily up the steps of the palace, she is the best thing about this very old-fashioned production.

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