Reviews

Some theatre companies have had really bad luck with COVID-19: then there’s Eye Contact Theatre. In 2020 they were 24 hours away from bump-in at the Kings Cross Theatre when – bingo! - the whole thing was called off. And now, two years and a new cast later, just when everything is looking good, two of their lead actors have come down with the wretched disease, leaving fill-ins Di Adams and Gerard Carroll to boldly read from scripts on opening night. Thanks, COVID!

The Great Un-Wondering of Wilbur Whittaker is a large-scale production that feels like the biggest production to come out of Barking Gecko to date. Fun, exciting and both literally and figuratively full of wonder, this is a school holiday treat - a family show with a difference.

Maxim Gorky’s famous 19th-century contemporary and critic (and co-founder of the Moscow Art Theatre), Vladimir Nemirovich-Danchenko, once vented his frustration with actors’ obsessions: “Non-stop smoking, cold food, sausage, herring, gossip, vulgar flirtation, backbiting, jokes, and vodka.” He could be describing the characters in Gorky’s Summerfolk. And one of this play’s funniest lines is the disdainful “The house is full of theatre types!” as the cast of characters expands.

Each year the Victorian State Ballet brings a production to Sydney for three performances. This year it was Cinderella, performed by a corps of 25 dancers – supported by 40 young dancers, chosen from over 70 aspiring local ballet students.