Reviews

QTC’s first original musical in 16 years, Ladies in Black, is appealing in its evocation of an era (the late 50s), but lacks emotional conflict to make it really engaging. Not an easy book to adapt, most of what is in the pages of Madeleine St John’s wisp of a novel is on stage in Carolyn Burns’ episodic adaptation of it which has been stylishly staged by Simon Phillips using revolves.

Take a racist, paranoid, melodramatic novel of the late 19th century about a Chinese invasion of Australia, masterminded by evil Russians, but resisted by some dinkum blokes.  Add an agile writer, three highly talented cast and a bold, inventive director.  Mine the novel for every cliché, stereotype, stock character and situation. Note the disturbing parallels with contemporary racism and paranoia. Improvise, rehearse and, I assume, fall about laughing. 

This performance pays homage to a range of important female figures that have made a contribution to feminism and represent the power of femininity in one form or another. It is a great reminder that ordinary names such as Julie, Joan, Juliet, Helena, Beatrice and Diana can evoke a rich and powerful history of women who have demonstrated extraordinary courage and strength.

Heat, sweat, languor and frustrated – or arrested – sexuality in a 1930s ‘south’ of the USA.  That’s the immediate and powerful impression on entering the theatre.  We know the show is by Tennessee Williams, so we’re primed.  The wide playing space – with iconic period furniture in pools of light and naked hanging bulbs - occupies fully half of the Trades Hall ballroom.  The cast, in costume and in various poses, are already on stage.  A neatly dressed young fellow stands rigid to one side.  A woman in a clinging neglig