Reviews

How To Be a Person When the World Is Ending

By Myfanwy Hocking. Melbourne Fringe Festival. Flick Flick City Production. Theatre Works, St Kilda. 18 - 22 October 2022

Four Gen Z housemates (Miela Anich, Henry Kelly, Myfanwy Hocking and Sebastian Li) stare at their phones, play Dungeons and Dragons, bicker, and watch TV.  They’re just hanging out till the Apocalypse happens - any time now.  An alienated married couple (Meg Dunn and Sebastian Li) talk past each other.  Pierrot the clown (Lachie Gough) keeps coming to work and trying but realises he’s just not very talented or funny. 

JESSA Spring Concert

St David’s Cathedral, Hobart, Tasmania, Jane Edwards – Director. Michael Power – Accompanist. October 21st, 2022

JESSA (Jane-Edwards-Soprano-Soprano-Alto) is a new treble choir filling the niche in the Hobart choral scene encompassing classical repertoire, accessible new work and delightful reinterpretations of well-known standards.

A Love Affair

By Jerry Mayer. Galleon Theatre Group at Marion Cultural Centre, SA. 20-27 October 2022

An older married couple are cleaning out their attic in the early 1990s, reminiscing about their younger selves through the objects they find lying in boxes. They’re moving because he’s out of a job and their invested nest egg has been embezzled by their trusted financiers. He was a comedy writer, then producer; she is the organiser and the woman who has looked after the money he has earned.

Homeward Bound

By Isaac Diamond. Directed by Elise Wilson. The Blue Room Theatre, Perth Cultural Centre, WA. Oct 4-22, 2022

A beautiful and gentle play about an astronaut stranded at the end of the universe, the World Premiere of Homeward Bound, is sensitively acted and directed, and leaves its audience with a sense of hope.

Terror

By Ferdinand von Schirach. Presented by Red Phoenix Theatre and Holden Street Theatres. Holden Street Theatres. 20 - 29 October, 2022

For anyone who struggled with the terrifying choices needed in Sophie’s Choice, this play, Terror, ranks with the impossibility of there being one right answer to a moral dilemma. Imagine the following scenario.

Janet’s Vagrant Love

Written & performed by Elaine Crombie. Melbourne Fringe Festival. Trades Hall, Common Room. 18 - 23 October 2022

Elaine Crombie has problems with her guitar.  She thought it was tuned, but it’s not.  Her excellent accompanist, Amaru Derwent, gives her an ‘E’.  She tunes the guitar, but it won’t stay tuned.  She invites us to the ceremonial burning of said guitar.  She’s come on stage, laid back, very relaxed, almost as if we just happened to drop in so we’ll have a bit of a yarn, sing a few songs and that.   

The Caretaker

By Harold Pinter. Ensemble Theatre, Sydney. Directed by Iain Sinclair. 14 October – 19 November, 2022

Written in the 1950s, premiered as the 1960s just got started, Pinter’s The Caretaker is a brilliant example of New Theatre writing. His first big hit, the play is a wild portrait of three men who are all, in different ways, damaged misfits. 

Hedda GablerGablerGabler

Director, Production Designer and Co-creator: Mary Angley. Performers and Co-creators: Caithlin O’Loghlen, Sarah-Jayde Tracey, and Emma Jevons. Lighting Designer and Production Manager: Max Woods. Sound Designer: Ethan Hunter. La Mama Courthouse. 18-23 October, 2022

Henrik Ibsen published Hedda Gabler in 1890. While its intense exploration of the role of women was exciting in the late 1890s, given the huge changes in the possibilities available to women, this production’s challenge is to find the play’s current relevance and contribution.

Radium Girls

By D. W. Gregory. Directed by Ellis R. Kinnear. Old Mill Theatre, South Perth, WA, October 14 – 30, 2022

Old Mill Theatre’s Radium Girls is a historical drama with an amazing storyline that packs a punch. It is presented with a strong ensemble cast at Old Mill Theatre.

The moving, true story of watch dial painter Grace Fryer and her colleagues from the U.S. Radium Plant, who fought for compensation after being poisoned by radium at work, is very well acted - including an impressive performance from Abbey Mc Caughan In the central role - convincingly playing a woman suffering a physical demise, but still determined to fight for her rights.

Beige Bitch

Performer – Emily Carr. Director – Jackson McGovern. Melbourne Fringe Festival. The Motley Bauhaus. 17 – 23 October - 6.30

Beige Bitch elicits many, many laughs from the audience.  Emily Carr has a delightful stage presence and sweeps her audience along on a fun rocky journey for a solid 60 minutes of wacky lively anecdotes, lived experiences and story.  It’s an aspiring actor’s story really – recognisable and very real and far from mediocre.

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