Reviews

Let me say upfront that I consider James Corden is the most singularly spectacular talent to have emerged from Britain during the last twenty years. A brilliant comic actor he can do anything and make it funny, even traffic lights which he does do during his CBS “Late Late Show” when he and a group of actors perform a musical at a traffic stop when the lights are on red (his Mary Poppins is hilarious).

Andrew Lloyd Webber’s Love Never Dies has had a chequered history. Its London opening was marred by “phans” ,who picketed the theatre because they didn’t believe there should be a sequel to The Phantom Of The Opera. The reviews were mixed but mostly downbeat and the show was nicknamed “Paint Never Dries”, an appellation that stuck.

During the London run they closed the production to implement new script changes. They didn’t help.

Haunting and scenic, accessible and engaging this amazing Vietnamese Circus, directed by Taun Le, played to very full houses at the State Theatre.  It is such a treat sitting in amongst and audience with children giggling and older Vietnamese chatting excitedly about what they are watching.

We are treated to the seamlessly choreographed (Nguyen Tan Loc) ground and aerial work of a troupe of 16 exceptional acrobats, of whom, I think, 5 are women.   This team is sublimely in-sync.

The beautiful dulcet tones and clarity of Julie Nihill’s voice and the sincerity of her stage presence, as the aging Patricia Reilly, instantaneously connect with the audience to engage us with the themes of this absorbing family and social history. 

It is mostly set at the back of Patricia’s country cottage where she has bunked up in her sleep-out.  This is perhaps due to the house being over full of memories and the hoarding of a lifetime.