Reviews

This production will rock your socks off. The enthusiasm and talent of the mainly young cast is palpable, from the opening to the very last seconds.

Even as the curtain had almost descended for the last time, the leading man Gareth Keegan (Galileo) was crouched down to milk one last note for the audience.

bAKEHOUSE Theatre once again brings to Sydney a premiere performance that flouts the ‘conventional’ theatre scene in many ways – because Black Jesus is not ‘cosy’ entertainment! Itis raw and angry and challenging. Set in post revolution Zimbabwe, it looks at oppression and revolution through the eyes of the oppressed and the revolutionaries – and what happens when the ‘liberators’ take charge.

Walking into the Sutherland Memorial School of Arts on Sunday, to see the NSW Premiere of Bonnie & Clyde The Musical, I had no expectation of what I was about to see.

This was very refreshing and exciting, compared to seeing many of the same musicals playing at Amateur Musical Societies at the moment.

Director Jamie Lee Kemp and the company have taken a gamble on a lesser-known show. I was disappointed for the cast and crew to see such a small audience for a Sunday matinee.

Much like the river itself after dark, Butterworth’s newest play is deep, mysterious and mesmerising. The restlessness of peripatetic flow is explored through those things we see on the surface, often minutiae and deceptive – the movement of the furniture, the gutting of a fish – but submerged at unfathomable depths there is menace, and secrets, and possibly even danger. And, like the river, the playwright only hints at how deep that menace lies.