Reviews

OK, I'm going to just come right out and say it – I prefer the psychedelic and chaotic world of Trent Dalton's Boy Swallows Universe spilled out in full colour on the stage, rather than in my head while reading the novel. Phew! Now, as the novel's many fans will know, if it wasn't clear that this story was based on Dalton's own life experience, you'd never believe the twists and turns of his darkly funny tale. It's part Boy's Own coming-of-age saga, part true crime, part Sunday tabloid sensationalist suburban horror story.

This is a recording of the wonderfully luscious 2014 production which is given a decidedly 80s setting with the aid of a vibrant backdrop and set design by Ken Done. This clearly consolidates the era and all the values that characterised the period. Williamson’s astute and accurate assessment of a variety of important cultural rivalries are beautifully brought to life. The competitiveness between marriage partners, film industry business partners and the cities of Sydney and Melbourne feature in this extremely witty text.

The Stranger is not your usual Agatha Christie, by reason of the fact that it was written by Agatha Christie.  Hobart Repertory Theatre Society was originally to present Love from a Stranger, which is the Frank Vosper adaptation of Christie’s work, in 2020.  Subsequently, the company secured the rights for the first incarnation of the play which was only published in 2017 and they are the second or third company to do so.

Black Swan State Theatre Company’s Every Brilliant Thing is a surprise packed show that truly is a brilliant thing of its own. A one-man show, with the most unlikely of themes, this amazing performance by Luke Hewitt touches both hearts and funny-bones and unites its audience in a unique and special way.