Wayne McGregor, Olafur Eliasson and Jamie xx. Sydney Festival / Studio Wayne McGregor and Manchester International Festival. Darling Harbour Theatre. January 6 – 10, 2018.
The kaleidoscopic impact of London wunderkind Wayne McGregor’s dance epic Tree of Codes even fills the cavernous theatre space in Sydney’s new International Convention Centre. It comes to the Sydney Festival from Melbourne’s last October.
Circus Oz. Sydney Festival Circus City. Prince Alfred Square, Parramatta, Sydney. Jan 2-28, 2018
Notions of national identity and what it means to be a good - indeed a model - citizen are all around us. Circus Oz believes that these notions should be inclusive - rather than exclusive. It’s no coincidence that they’re running an appeal for the Asylum Seekers Resource Centre, with audience members encouraged to donate money after the show.
Between Music. Sydney Festival. Carriageworks, Sydney. Jan 6-9, 2018
To be able to perform musical instruments underwater is quite a skill. Between Music, an avant-garde ensemble from Denmark, make the breathing as much a part of Aquasonic as the instruments they play (presumably they never considered scuba gear - there would be no fun in that).
Sydney Festival. Magic Mirrors Spiegeltent, Hyde Park North. January 7 – 13, 2017
Lady Rizo from New York joins Riot from Ireland and the burlesque boys with Briefs as the first acts of the Sydney Festival’s cabaret program in the Spiegeltent in Hyde Park.
She was here in 2012 (when she fell in love with her current man, an Aussie) but this she bills as an Apology Tour for what’s happening now in the States.
Written by Gilbert & Sullivan, score re-imagined by Matt Harris. The Gilbert & Sullivan Society of Tasmania. Directed by Anne Blythe-Cooper. Court 1, Supreme Court Hobart. January 5-27, 2018
The timeframe 1875 – 2018 has seen many presentations of Gilbert and Sullivan’s operetta “Trial by Jury”performed around the world. The Gilbert & Sullivan Society of Tasmania has presented it some 20 times since 1974. Usually they put a bit of a new spin on it, however, director Anne Blythe-Cooper said that never has the music been changed like it has for this production.
Music by Franz Lehár. Lyrics by Leo Stein and Viktor Léon. English Translation Justin Fleming. Directed and choreographed by Graeme Murphy. Opera Australia. Joan Sutherland Theatre, Sydney Opera House. January 2 – February 3, 2017.
Seventy years after the death of Franz Lehár in 1948, now free of copyright restrictions, The Merry Widow has been transformed by Opera Australia into an exquisite jewel of a production - perfect to debut in the newly refurbished Joan Sutherland Theatre.
Music: Harold Arlen. Lyrics: E.Y. Harburg. Additional Music: Andrew Lloyd Webber. Additional Lyrics: Tim Rice. Adaptation: Andrew Lloyd Webber & Jeremy Sams. John Frost, Suzanne Jones Production in association with The Production Company. Director: Jeremy Sams. Choreographer: Arlene Philips. Capitol Theatre, Sydney. Sydney Premiere: 4 January 2018.
If, like myself, you’ve been travelling down the cinematic Yellow Brick Road with Dorothy and her pals since childhood, get set to enjoy this newest incarnation, easily the best of the several stage versions that I’ve seen.
By William Shakespeare. Australian Shakespeare Company. Director: Glenn Elston Musical Director: Paul Norton. Choreographer: Sue-Ellen Shook The Royal Botanical Gardens, Melbourne. 21st December 2017 – 3rd March 2018
Take Shakespeare’s tale about a magic love triangle, perform it amongst nature in the Royal Botanical Gardens, add kooky costuming and clever sound and lighting, and you’re half way to imagining this spin on the classic A Midsummer Night’s Dream.
By Richard O’Brien. Directed by Christopher Luscombe. Howard Panter, John Frost, and GWB Entertainment. Festival Theatre, Adelaide. 28 Dec 2017-13 Jan, 2018.
“Let’s Do The Time Warp”?
“Again”…?
Yes, let’s – because that song (and its self-explained choreography) really is a timeless classic of musical theatre, one that cannot help but make you want to get up and groove along, regardless of how many Rocky Horror Shows you may have experienced, on the stage or the cinema screen.
