21 Hearts

Like its predecessors, this production has local connections, with several characters hailing from WA, and Vivian Bullwinkel herself a Western Australian resident in later life. Jenny Davis has created a heartfelt script that is brought to life with expert direction and outstanding performances. Possibly the strongest in a series of outstanding productions, this show features an all-female cast that deliver beautiful performances.

I imagine that the role of Vivian was created for Rebecca Davis, a wonderful opportunity that she embraces with skill. Embracing a very different speaking manner and demeanour, this is a very transformative performance, played with depth and dignity, anchoring the show with perfection.

She is supported by a strong ensemble cast, all of whom play multiple roles that are distinct, have layers and are believable, meaning the loss of some characters hits the audience hard. Caitlin Beresford Ord’s motherly matron and broad Aussie larrikin were both a joy, Alison Van Reeken superbly creates a teenage girl, known as Little Bet, with whom the audience clearly bonds. Michelle Fornasier has a short scene with Rebecca’s Vivian that has the audience suppressing tears, Alex Jones plays several musical characters that provide light in the darkness. Helen Searle’s moments as a desperate, angry mother are both chilling and heartbreaking.

Playing on a clever foldout set designed by Stuart Halusz, costume designer Ingrid Zurzolo gives us costumes that feel accurate and echo to the archival photos. Rowan von Blomestein’s lighting design works superbly with the projected images from Gneiss design.

I’d usually advise readers to rush out and grab a ticket, but this season sold out well before open\ng night, testament to both the interest of this story and the reputation of Theatre 180. Fortunately, Theatre 180 does bring their shows back for repeat seasons, with 21 Hearts, already scheduled from October 30 until November 10. I am hoping that the success of this season will lead to tours and a wider audience. An outstanding production.     

Kimberley Shaw