Reviews

Queer as Flux is a dynamic, fascinating and heartwarming solo show, written and performed by Stace Callaghan at the Blue Room Studio. 

The product of The Nest Ensemble, Queer as Flux is based on Stace’s life experience, including transitioning throughout life, from football-mad tomboy, to school captain of a Brisbane Girls’ School, to proud lesbian and now a trans man, who uses they/them pronouns, told with a realisation that everyone is transitioning at all times, including ageing parents, and society itself.

Charlie Conlon is trying to persuade the food van to give him a second pudding when he first meets Jake Quinn. They are both extras on a Hollywood movie set in the lush green south-west of Ireland, along with what seems like half the town, most of which are related to Jake in some way. With a film crew being the buffer between the US leads and the local extras keen to earn their ‘forty quid’ whether or not the sun shines, there are some fifteen characters here.

Famished music theatre fans, kept away from live theatre by the pandemic, will have much to feast upon in this banquet of tasty morsels.

The company, which had staged one preview when the dreaded delta virus closed down Sydney, have been able to spend the extended break continuing to rehearse at times, bringing a rich depth to the characters that might not normally be available in a tight Hayes Theatre rehearsal schedule.

Clock for no Time is written, directed, and in the first act, narrated, by Michele Saint-Yves, who herself has an acquired brain disorder and is a recent graduate in medical neuroscience. This is a mesmerising, thought-provoking, inclusive piece of theatre.