Reviews

Picnic at Hanging Rock is an interesting, modern interpretation of the Joan Lindsay novel, presented on a stark stage This co-production of Black Swan State Theatre Company, with Malthouse Theatre, uses five actors, all of whom play multiple roles.

For a century they were called “Speciality” or “Spesh” acts. They appeared not just in circuses and side-shows but also on stage in Vaudeville/Variety shows. They were the mainstay of breaking up the more traditional or high profile acts - after all, who can compete with a Pop Star or dancing elephants? Then, in the late 20th century, Cirque du Soleil changed the game and made the “Spesh Act” into an Art Form, and everybody else followed.

Everyone loves a happy ending and A Midsummer Night’s Dream gives us not one but three. Maybe that’s the reason Shakespeare’s comedy has been so popular for over 400 years. The combination of fairies, rustics and lovers has been irresistible to choreographers for decades and Liam Scarlett’s new vision of their escapades has all of the magic of a master conjurer.

The source material for this enduring play is Choderlos de Laclos’ novel, Les Liaisons Dangerous, first published in 1782.  It is a tale of deceit, betrayal, hypocrisy and sex games among the French aristocracy.  Although frequently banned, the novel has been in print ever since, probably because the world and people don’t change that much – and the baroque trappings, the lace and the stays, and the amorality of these 18th century aristos all enable us to contemplate these vices with some objectivity.  And it has an implicit feminist argu