Reviews

Bombshells

By Joanne Murray-Smith. wit incorporated (VIC). Bluestone Church Art Space. Director: Sarah Clarke. Designers: Jennifer Piper & Chad O'Brien. March 9 - 24, 2018

Bombshells presents six vignettes showcasing a range of talents from two of the performers from wit incorporated.

Vignettes is undoubtedly a more appropriate word than monologues. These are slice-of-life stories, incorporating speech, song, and dance.

Bombshells opens with Belinda Campbell's hurried, hectic, harried monologue as an absurdly anxious woman struggling to meet the demands of being a mum today.

Sound & Fury's "Cyranose"

Adelaide Fringe. Tandanya's Art Café. March 2 - 18, 2018

Sound & Fury should be well known to all Adelaide Fringe-goers. After all, the American trio are practically a Fringe Institution in their own right, having reached their crystal anniversary with the festival last year.

The Velveteen Rabbit Musical Show

Adelaide Fringe. The Bally at Gluttony. March 10-12, 2018

We can all recall that one special toy which, even in adulthood, puts a smile on our face when we think of it, and The Velveteen Rabbit Musical Show is about such a toy. Based on the children’s story The Velvet Rabbit by Margery Williams, this is a musical show that tells the story of a velveteen rabbit that becomes ‘real’ through the love of a little boy.

The show is written for 4-10 year olds, but the adults who were taken on the outing clearly enjoyed the show as well.

Kings of War

By William Shakespeare adapted by Ivo van Hove. Adelaide Festival. A Toneelgroep Amsterdam Production. Directed by Ivo van Hove. Festival Theatre, Adelaide. March 10 - 13, 2018

Why would you want to watch four and a half hours of Shakespearean history plays in Dutch? Well anyone who saw The Roman Tragedies would tell you that the creative vision of Ivo van Hove married to the superb actors that make up Toneelgroep and the use of Shakespeare’s storylines and insights is a powerful combination and one not to be missed. Van Hove and Toneelgroep’s Kings of War is a re-interpretation of Shakespeare’s history plays stretching from Henry IV to Henry VII.

Cirque Africa

Adelaide Fringe Festival. Hindmarsh Square. 24th February - 3rd April, 2018

Cirque Africa’s founding father, Winston Ruddle (Papa Africa) is the first black African in the world to own, direct and produce a circus show in a big-top tent. Dressed in a colourful kaftan he strolls centre stage to wind up the crowd, his booming voice gaining everyone’s attention.

The thumping beats of drums and tribal acoustics can be felt through the floor. A company of performers dance their way into the tent with beaming smiles and infectious energy; a mean feat, given that for this matinee performance it must have been close to 40 degrees.

Bouncers

Written by John Godber. Directed by Sherri Smith and David Paterson. Presented by HeartBeast Theatre. Spring Hill Reservoir (Qld). 10 - 31 March, 2018

The latest production of the 70’s classic Bouncers is energetic, accessible and packed full of humour. The cast of four (Peter Condon as Eric, Rowan Howard as Ralph, Chris Vaag as Judd and Campbell Lindsay as Les) give it their all and have nothing left in the tank by curtain call. They work very effectively together and are clearly well-rehearsed. No one actor stands above the rest; all are well matched in skill.

Fractured Fairytales

The Nitwits - Last Dodo. Adelaide Fringe Festival 2018. The Speakeasy - Gluttony. 11-12 March, 2018

Fractured Fairytales by Last Dodo and performed by The Nitwits (Matt Grey and Kathryn Placing) has come to Adelaide after winning Best Kids Show at the Perth and Sydney Fringe Festivals. It is for children between the age of 5-10 years old, and from the delight the children showed at the hot afternoon performance I saw, it is a complete success.

FoRT

Asking for Trouble. Adelaide Fringe. The Factory - the Garden of Unearthly Delights. March 12 - 18, 2018

FoRT is a physical theatre show that uses everyday objects such as a sofa, chairs, coffee table, ironing board, mops and brooms as a vehicle for creating imaginary landscapes and providing a stage for Christy Flaws and Luke O’Connor to showcase their acrobatic and circus skills.

The Shifting Heart

By Richard Beynon. White Box Theatre. Seymour Centre (NSW). March 8 - 24, 2018.

Written in 1956, and first produced by The Elizabethan Theatre Trust in 1957, this one of the first plays that explored the effect of racism and discrimination in Australia following the arrival of European refugees and migrants after the Second World War. So relevant was its message, that it was produced in the West End in London in 1959, was recorded as an ABC radio play in 1962, and was adapted for television by the ABC in 1968.  

Disney Mulan Jr.

Music adapted and arranged by Bryan Louiselle; additional music by Bryan Louiselle; additional lyrics by Patricia Cotter and Bryan Louiselle. Based on the 1998 Disney film 'Mulan' and the story 'Fa Mulan' by Robert D San Souci. Directed by Jayde Clark. Phoenix Theatre, Memorial Hall, Spearwood, WA. Mar 9-24, 2018

Phoenix Theatre have created what I believe is their best youth musical to date, with the feel-good show Mulan Jr. A beautiful looking junior production with a lot of heart.

A vibrant young cast of 25 keep busy all evening, with all but the two central characters playing multiple roles, with quick changes of Jayde Clark and Sarah Brooks bright costumes in abundance. The multi-level Chinese set (Jayde Clark and Daniel Muller) provides elegance and atmosphere.

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