Reviews

Everyman

Traditional adapted by Carol Ann Duffy. WAAPA Second Year Acting Students. Directed by Humphrey Bower. The Edith Spiegeltent, WAAPA, Edith Cowan University, Mt Lawley, WA. Nov 9-14, 2024

Everyman is a modern adaptation of a medieval mystery play, that for the last few years has been studied by WAAPA Second Year Acting Students. This year, that cohort present this text publicly, in the unusual performance space of the Edith Spiegeltent.

The audience are guests at the birthday celebration of “Everyone”, with some audience sharing a table with the guest of honour, and the action taking place around them. The audience are drawn into the action, donning party hats, and becoming part of the play.

Musica Alchemica

Musica Viva. Adelaide Town Hall, Adelaide. Nov 18, 2024

Musica Alchemica is described as a ‘magical mystery tour’ of Baroque music! One hundred and forty minutes starring eight composers of the Baroque period – Biber, Cima, Schmelzer, Muffat, Corelli, Telemann, Piccini, and von Westoff. I must confess to some extra research before attending as some of these composers are not in the Baroque mainstream.

Rodgers and Hammerstein Showstoppers

Sydney Philharmonia Choirs. Sydney Town Hall. 16-17 November, 2024

There was buzz as friends and families met on the steps of the Town Hall. It grew as the foyer filled and people made their way to their seats or climbed the stairs to the galleries. Philharmonia audiences are always excited whatever the program. They know that Brett Weymark makes every concert special.

Clue: On Stage

Adapted by Sandy Rustin from the screenplay by Jonathan Lynn, with additional material by Hunter Foster and Eric Price. Henry Lawson Theatre, Werrington NSW. Director: Rebecca Fletcher. 15 – 23 Nov, 2024

Jonathan Lynn’s 1985 film Clue, based on the Hasbro boardgame Cluedo, has become a cult movie – and a favourite of Henry Lawson Theatre’s Rebecca Fletcher’s family. No wonder that she grabbed the opportunity to direct Sandy Rustin’s stage adaptation Clue: On. Stage, which is just as whacky – and busy – as the movie!

Murder On The Nile

By Agatha Christie. Directed by Sharon White. New Farm Nash Theatre, Brisbane. November 15 - December 7, 2024.

Agatha Christie is known to every man and his dog, as she should be. She wrote over 70 best-selling novels and the longest running play ever. This play follows many of her traits where at least one murder occurs and the readers or viewers try to solve the murder/s.  This time everything occurs on a cruise ship going up the Nile River. The cast of eleven make up the guests and various crew members and the murderer has to be one of those who survive the killings. Naturally, in a Christie play, things are never what they seem to be and this kept the audience enthralled to the end.

Ladies in Black

Music: Tim Finn. Lyrics: Carolyn Burns. Book: Madeleine St John. Noosa Arts Theatre. November 14 – December 1, 2024.

Ian Mackellar’s production of Ladies in Black is one helluva slick production. I absolutely adored the sets, the motion, the colour and the effortless ease of transitions. The whole evening appeared as a smooth and natural glide. The 1950s never looked better (in fact, this is the second show in a row that Noosa has produced that has a 1950’s theme).

Round The Twist

Music, Lyrics and Book by Paul Hodge. Theme song by Andrew Duffield. Produced by Queensland Theatre and Queensland Performing Arts Centre. Directed by Simon Phillips. World Premiere season at Playhouse, QPAC. 12th Nov – 8th Dec, 2024

At last, an Australian musical that is true blue down to its very roots. Those roots are the work of Paul Jennings, our most beloved children’s author, without whom this delightful concoction for kids from 1-100 would never exist.

But it has taken the single-mindedness and multi talents of musical wunderkind Paul Hodge to give us a musical for the ages. It’s not a children’s musical, any more than Matilda (with which it will inevitably be compared) is just for children. It is delightful entertainment for every member of the family.

The Lord Of The Rings: A Musical Tale

Based on the novels by J R R Tolkien. Book and lyrics by Shaun McKenna and Matthew Warchus and original music by A R Rahman, Finnish folk band Värttinä, and Christopher Nightingale. Kevin Wallace Productions, GWB Entertainment and Middle-earth Enterprises. Civic Theatre, Auckland. Opening Night: November 12, 2024. Australian seasons follow in Sydney from 7 January 2025, Perth from 19 March, Melbourne from 26 April and Gold Coast from 4 July..

The opening night of Lord of the Rings: A Musical Tale at Auckland’s Civic Theatre was as grand as the production itself. From the red carpet entrance to the magnificent foyer filled with A-list celebrities, the atmosphere buzzed with excitement. Inside the theatre, attendees were greeted by several Hobbits, enhancing the immersive experience before the performance commenced.

August: Osage County

By Tracy Letts. Belvoir Street Theatre (a co-production with Black Swan State Theatre). November 9 to December 15, 2024

The Native American reservation has long gone – along with the mighty bison which once roamed the  Great Plains -  but Osage County in Oklahoma still bears the scars of its environmental and cultural destruction, turning into a dustbowl during the excruciating  heat of August.

Verdict

Written by Agatha Christie. Directed by David Bell. Presented by Centenary Theatre Group. Chelmer Community Centre, 9 November – 1 December 2024

Agatha Christie's 1958 play Verdict defies expectations of a classic whodunnit. While murder is central to the plot, Christie lays bare the identity of the killer during the murder, shifting the tension to uncovering who will be blamed and why. This departure from her signature formula allows the narrative to explore deeper psychological and moral themes.

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