The next production at The Guild Theatre is Managing Carmen, Australian playwright David Williamson’s 2012 comedy.
Brent (played by Russell Godwin) is a young, handsome AFL star. Brent’s ruthless manager Rohan (David Hines) is loud-mouthed, abrasive and loves all the money that Brent is making him. Rohan is being offered hundreds of thousands of dollars for advertisements with Brent’s endorsement but he cannot put Brent in front of the cameras; Brent is a completely wooden actor and cannot learn to loosen up.
Musical Theatre in New Zealand is experiencing a ‘golden era’, with record attendances, profile and audition interest. The growth is not in professional theatre, but community theatres which ship professionally built sets and costumes around the country.
The musical theatre scene in New Zealand is a unique one, with the combined factors of a strong economy and some beautiful regional theatres, but a relatively small and geographically spread population.
Get to know the Boys of the Barricade in Manly Musical Society’s 10th Anniversary Production of Les Misérables, from 19 April until 28 April, 2019.
Based on the novel by Victor Hugo, Les Misérables details the trials of France’s lower class and exemplifying the triumph of human spirit. Its uplifting message of hope, its grand epic tale and glorious music has made it the longest running musical of all time.
Lane Cove Theatre Company on Sydney’s North Shore presents Bare – the Musicalin May 2019. The contemporary cult classic ‘coming of age’ pop opera is set at a Catholic boarding school in the early 2000s.
Contemporary LGBT pop-rock musical Bare follows a group of students at a Catholic boarding school as they grapple with issues of sexuality, identity and the future.
FLIRTATIOUS fancies and considerable charm form an integral part of the playful-but-faithful adaptation of Jane Austen’s Sense and Sensibility, at Melville Theatre in WA during May 2019.
Adapted by Kate Hamill in 2016 and directed by Vanessa Jensen, the Austen classic tells the story of the Dashwood sisters and the path their life takes after the sudden death of their father.
A BLACK comedy about gangsters in London’s East End during the 1960s comes to South Perth’s Old Mill Theatre in May – and it has more twists and turns than a pretzel.
Presented by Maverick Theatre Productions, A Picture of Betrayal is written and directed by Noel O’Neill and explores the day-to-day life of criminals going about their business of thieving, cheating and killing each other.
TONY Award-winning musical The 25th Annual Putnam County Spelling Bee is coming to the Armadale District Hall in May 2019.
Presented by Roleystone Theatre (WA) and directed by Stephen Carr, it follows a group of six mid-pubescents as they vie for the spelling championship of a lifetime.
While openly disclosing hilarious and touching stories from their homes, they spell their way through a series of words, hoping never to hear the soul-crushing and pout-inducing bell that signals a spelling mistake.
A STORY of loss, hope, friendship and leaving the past behind add up to Ten Quid, at Stirling Theatre in WA in April / May 2019.
Written by John Grimshaw and directed by Jane Sherwood, it follows the journey of a young man returning to Manchester 40 years after his family originally emigrated to Australia.
Mark’s goal is to honour his brother’s wish of scattering his ashes over the sacred turf of his beloved football team.
North Shore Theatre Company (NSTC) brings puppet musical comedy Avenue Q to The Independent Theatre, North Sydney from 26 April to 4 May.
Winner of the Tony Triple Crown for Best Musical, Best Score, and Best Book, Avenue Q tells the story of a recent college graduate trying to find his way in the world.
STEELE Rudd’s classic Dad and Dave short stories are coming to the Roxy Lane Theatre during March 2019 in the stage production On Our Selection.
Presented by ARENAarts and directed by Peter Nettleton, the play was originally published in 1912 and has been described as Australia’s only successful folk comedy, performed hundreds of times in numerous countries.
“It’s told from the viewpoint of the original Aussie battlers – a family of pioneer subsistence farmers, their friends and acquaintances,” Nettleton said.