Pandora

Shakti is a dancer of Indian and Japanese heritage and the cultural influences are evident in her choice of choreography. Pandora takes us on a journey of self-imposed suppression and the artist uses the myth of Pandora’s Box as a catalyst for her performance.

This venue allows for a vast performing space. Dark lighting with a splash of red illuminates venetian blinds upstage. When open, they reveal Shakti, blindfolded with a red satin sash, her feet shackled and hands bound with handcuffs. She is wearing a black latex corset.

Music sets the tone for this performance piece. It is danced to the powerful soundtrack of Einsturzende Neubauten’s ‘Berlin Babylon’ and the spine-tingling vocals of ‘Diamanda Galas’.

Assisted by two female dancers, who double as oppressors, the movement slows when Shakti makes a costume change. Scantily clad in a leotard that barely covers her private parts, she celebrates her womanhood and freedom. Movement becomes synchronised as performers let their hair down. We are witnessing a celebration of discovery and love.

Not all choreography is bold; emotions are often conveyed through slight facial twitches and rolling of the eyes. Loud and frenetic tones pump from the speakers. Shakti cries out, moving her body with the fast tempo.

It leaves one feeling uncomfortable as you watch Shakti struggle with her restraints.

Kerry Cooper

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