Hairspray Jr

I was lucky enough to attend the matinee performance of Adelaide Youth Theatre’s toe-tapping musical Hairspray JR. This was made extra special when I attended, as the company opened the doors for free to those with disabilities and their families. They capped the audience size, allowing for those with autism to have the space they needed to feel comfortable.

While there is a certain expectation to respect the performers on stage when attending the theatre by behaving in a courteous manner and not talking, fidgeting or drawing attention to yourself; for this performance any kind of theatre etiquette was thrown out and I did not mind at all.

Witnessing the joy of those jumping out of their seats, dancing and expressing their delight at this fantastic performance was a special experience.

Hairspray came to Broadway in 2002, but it wasn’t until the 2007 movie of the same name landed, that it became a smash hit. A big part of what makes this musical work is the infectious music and lyrics by Marc Shaiman and Scott Wittman.

Musical director Serena Martino-Williams does a wonderful job of replicating the vibe of the original score.

Set in 1962, in Baltimore, USA, some lyrics indicate that we were certainly living in different times. Touching on segregation and ultimately integration of the white and black communities, this makes for some powerful moments.

The topic of racism was tackled thoughtfully and with respect.

Director Michelle Davy and assistant Lisa Simonetti were spoilt for choice with casting. An incredible bunch of talented performers meant there was nothing amateurish about this show.

Tight direction showed vision and creativity and it was a joy to witness.

Multi-talented performer Thomas Phillips was given the task of choreography and he tackled it with verve. There is nothing more enjoyable than watching a big dance sequence where your focus is not pulled in any way. Choreography played to the performers’ talents and it was a highlight.

There were no weak links in this cast. Leading the charge as Tracey was Holly Abbott; she was bubbly, cheesy and downright adorable.

The object of Tracey’s affections, Link (Nathan Stafford) was sublime. He had the confidence, charm and strong vocals to make the role all his own.

Showing her talents as a comic performer was Grace Colsey. She was ‘awkward’ in her portrayal of Penny and it was hilarious.

With so many standout performances, it is impossible to mention everyone, but the enormous amount of talent from which Adelaide Youth Theatre can choose its cast was evident in this production.

Kerry Cooper