Berlin

In this text Joanna Murray-Smith weaves serious historical questions with conventional and unconventional notions of love and romance. It appears a tall feat, but this is achieved via an acute observation of the changing nature of intimacy and the way that emotional or psychological baggage can impact this. In doing so Murray-Smith raises some large moral questions that in the current geo-political climate render the play very poignant. 

HTC has embraced these elements and staged a very accomplished production of this intriguing play. Charlotte (Julia Lambert) meets Tom (Jeremy Just) and begins what looks like a casual sexual encounter. This is very well choreographed to heighten the sexual frisson and accentuate the sexual energy between them. As Tom’s demeanour begins to change the scenario takes quite an ominous turn, although not in the direction that might be expected. Just is able to expertly manage this transition by foregrounding the conflicting nature of Tom’s emotions. He clearly conveys the way Tom is torn between his intentions and the genuine feelings he develops for Charlotte. Lambert gives Charlotte a very confident disposition while also showing her somewhat naïve side. Although a little sceptical about her encounter with Tom, her sense of self-assuredness gives her a misguided belief in her ability to control the situation. 

The strong performances allow all of the nuances of the questions that Murray-Smith explores in this text to come to the surface. The stage design effectively exploits the space to create a timeless yet highly contemporary ambience, making an apt setting for the unfolding of the events. The lighting, staging, and costuming are all well thought out and contribute to creating the very sleek and edgy atmosphere. This production makes the encounter and the disturbing rapport that develops between the couple extremely compelling. It especially allows the audience to become totally absorbed by the ethical controversy that confronts them.

Patricia Di Risio 

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Photographer: Blake Stringer